Become a birds potograper

19 min readDec 20, 2020

Bird photography, especially wild bird photography can be quite challenging. There are many articles on the Internet that cover everything from “bird photography tips” to “the art of bird photography”, but I found that many of them are not detailed enough and do not contain as much information for an amateur bird photographer. After several years of photographing birds, I decided to write this “How to photograph birds” guide and include everything I know about taking good pictures of birds, so in a way, it is an introduction to bird photography. Parts of this article also apply to birding or bird watching, so if you like birds and just want to be able to approach and watch them closely, read the Locating Birds and Approaching Birds sections below.

Note: This guide could be used for any type of wildlife photography, but I will be concentrating on fast-moving birds and birds in flight, so if you are taking a picture of a fast-moving animal, feel free to use the same camera settings.

Table of Contents

Camera Equipment

Unfortunately, camera gear is a very important part of wild bird photography. Unless you are standing close and photographing ducks and geese that are not afraid of people, prepare yourself to invest in a solid camera and one or more long telephoto lenses.

So, what camera is good for fast-action photography? I would recommend a camera that can handle at least 1/2000 of a second shutter speed with 6 to 9 fps (frames per second) and a big enough camera buffer to be able to handle large bursts, if you want to get the best results, plus a good autofocus system for quick focus acquisition. Any modern digital camera (whether DSLR or mirrorless) should be capable of shooting at 1/2000 of a second and faster. Fast frames per second and good autofocus mean professional cameras such as the Nikon D500 or Canon 7D Mark II that are suited best for fast-action and wildlife photography. But if you already have an entry-level DSLR, it doesn’t mean that you cannot capture birds — it just means that you might miss a good shot, just because your camera is not fast enough. The most important thing to keep in mind — the speed of focus acquisition both on camera and on lenses are far more important than frames per second.

Which brings us to the next question: What lenses are good for bird photography?

It is tough to answer this question, because it all depends on how much money you are willing to put into a lens. The best bird photographers in the world will tell you that they cannot live without their 200–400mm, 400mm, 500m, 600mm or 800mm lenses, preferably with optical stabilization + teleconverters. The Nikon 500mm f/4E FL VR currently sells for approximately $10,299 USD, while the 600mm f/4E FL VR is about $12,299 USD, while the 800mm f/5.6 costs as much as a new car! That’s very pricey and only professionals who make money by selling their images and people with large wallets can buy those lenses. If you are one of those, the best combination for bird photography would be something like the Nikon D5 or D500 + one of the above-mentioned lenses + 1.4x TC (TeleConverter), which will give you the best performance and reach. In addition, you will have to buy a good heavy duty tripod + accessories (batteries, memory cards, etc). The small and lightweight Nikon 300mm f/4E PF VR + 1.4x/1.7x TC or telephoto zoom like the Nikon 200–500mm f/5.6E VR will also yield excellent results without breaking your bank.

On the Canon side, the choices are going to be similar and as abundant as Nikon’s, with plenty of great options. Aside from the 400mm to 800mm super telephoto exotic glass, there are other great budget options, such as the Canon 300mm f/4L IS + 1.4x TC, or the Canon 400mm f/5.6L (but no IS).

Also, don’t forget about third party lens options. Both Tamron and Sigma produce superb telephoto zoom lenses that are wonderful for bird photography. Tamron’s 150–600mm VC G2 is excellent and if you prefer Sigma, you have two options — the Sigma 150–600mm Contemporary and the 150–600mm Sport.

Other camera systems from brands like Sony and Fuji might not have professional-grade super telephoto lenses yet, but you will come across other solid offerings suitable for bird photography, such as 100–400mm variable aperture lenses, which might be excellent candidates for bird photography.

So far, everything that I have mentioned above in terms of focal length is for lenses alone. Once mounted on a camera body, the camera sensor size will also impact field of view, meaning what you actually see in the frame and in the image. Compared to full-frame sensors, smaller sensors will generally provide better reach. If this sounds confusing, see my DX vs FX, Crop Factor and Equivalent Focal Length and Field of View articles. All Nikon DX cameras have a crop factor of 1.5x, while Canon’s are 1.6x. So, the actual field of view, which some photographers call “equivalent focal length” (meaning equivalent compared to 35mm film/full-frame) can be approximately calculated by multiplying this crop factor by the total focal length of the lens (which includes the teleconverter). For example, the Nikon 300mm f/4 lens with a 1.4x teleconverter (420mm total) mounted on a DX camera would have an equivalent field of view as a 630mm (420mm x 1.5) lens on a full-frame (FX) sensor. Meaning, if you were photographing a bird from say 10 feet away and you could fill your frame with the bird using a Nikon 300mm f/4 lens with a 1.4x teleconverter on a DX camera, you would need a 630mm lens if you were shooting with a full-frame / FX camera to fill the frame the same way.

Being able to reach birds from distance without distracting them is a major part of bird photography and this combination of a long telephoto lens with a DX sensor camera definitely provides more opportunities for successful birding. The downside of a crop-factor sensor, however, is the amount of noise on images at high ISO levels — so better reach does not necessarily translate to better quality. As I have pointed out in my DX vs FX article, full-frame sensors control noise better than cropped sensors, especially in challenging light. So both have advantages and disadvantages — DX generally gives you better reach, while FX gives you better quality. Keeping a fast shutter speed and retaining low ISO requires lots of light, especially on a lens combination with a maximum aperture of f/5.6. Therefore, in low-light situations, I would recommend to shoot on a tripod at slower shutter speeds rather than cranking up ISO and having images with a lot more noise. Birding is all about retaining the detail and having sharp images — nobody likes bird pictures that are soft or out of focus. Noise can often be dealt with in post-processing, but lost detail cannot be recovered.

What about tripods? If you use heavy 500mm or 600mm lenses, a good tripod system (a tripod and a tripod head) is a must, simply because hand-holding these lenses is not practical. If you don’t know where to start when it comes to tripods, check out our detailed guide on choosing a tripod. Ideally, you want solid carbon fiber legs that can hold a lot of weight and a gimbal head, such as the Wimberley WH-200. Such a setup would be able to handle heavy lenses very well and provide enough flexibility to shoot birds in flight. Lastly, go for the Arca-swiss quick-release system, because that’s pretty much the standard now for handling heavy gear.

Camera Settings

Maintaining fast shutter speeds, especially for birds in flight and small birds that move very quickly is extremely important — you cannot fix motion blur in post-production. In some cases, photographers shoot at slightly slower shutter speeds just to get the bird’s wings slightly blurred, to create a feeling of motion. But in all other cases, you want to freeze the action. To achieve this, I typically set my shutter speed to something between 1/1000 and 1/1600. Most digital cameras have the following camera modes: “Manual“, “Shutter Priority“, “Aperture Priority” and “Program“. The camera mode I use the most for my photography, including birding is “Aperture Priority”. Many cameras today come with the Auto ISO feature that automatically adjusts camera ISO based on light conditions. You can set your minimum shutter speed, which can be set to a high number for bird photography and maximum ISO to retain the detail. This feature is very useful and I use it all the time, setting the Auto-ISO to on, maximum ISO to something like 1600, and minimum shutter speed to 1/1000 of a second.

When shooting in “Aperture Priority” mode, which I use the most, I set Auto-ISO minimum shutter speed to 1/1000 and shoot wide open, i.e. at the maximum aperture. The nice thing about shooting in “Aperture Priority” mode, is that if there is too much light, my shutter speed increases to a bigger number and if light conditions deteriorate, the camera’s Auto-ISO feature increases ISO automatically and tries to keep the shutter speed at whatever I set it to. If the highest ISO is already reached and there is still not enough light, it will obviously decrease the shutter speed, while still keeping images bright enough. Another reason for using the “Aperture Priority” mode has to do with full control over depth of field. For example, if I’m shooting wide open at f/4 and standing close to a bird, my depth of field is very shallow and if I focus on the eye of the bird, I might not be able to capture its back or tail in full detail. By stopping down lens aperture to something like f/8, I can capture more of the bird without blurring parts of it. Personally, I do not find “Shutter Priority” to be useful for bird photography, because I do not want my camera to set the aperture for me. However, now that cameras are equipped with the Auto ISO feature, you can set both your Aperture and Shutter Speed to certain values in Manual Mode and let the camera control the brightness of images by changing ISO automatically for you.

What about shooting hand-held? If you have a light enough camera setup and you are shooting at fast shutter speeds, shooting hand-held should not be a problem. Unfortunately, sometimes lighting conditions are poor and you cannot use fast enough shutter speeds. Once your shutter speed drops to a certain threshold, you will start getting blurry images due to camera shake. How do you avoid that? The general formula is to follow the reciprocal rule, which is to keep the shutter speed to at least the total focal length of the lens. This means that if you are shooting with a 300mm lens on a full-frame camera, your shutter speed should be at least 1/300 of a second (if the 300mm lens is mounted on a crop-factor sensor, the shutter speed should equal focal length multiplied by the crop factor). However, when shooting with long lenses on high-resolution cameras, you might find reciprocal rule to be inadequate to produce sharp images — you might need to increase your camera’s shutter speed even more to end up with tack-sharp images with plenty of detail.

Here are my Nikon camera settings for bird photography:
Camera Mode: Aperture Priority with aperture set to maximum aperture (wide open).
Metering: Matrix Metering for most situations, but sometimes Spot Metering can provide better results.
Release Mode: High Speed Continuous (fastest fps).
Autofocus Mode: Single AF Point or Dynamic (9).

Shooting Menu:

Image Quality: RAW
NEF (RAW) recording: Type: Lossless compressed, NEF (RAW) bit depth: 14-bit
White Balance: Auto
Active D-Lighting: Off
Vignette Control: Off
High ISO NR: Normal
ISO Sensitivity: 100 (Base ISO), ISO sensitivity auto control: On, Maximum sensitivity: 1600 or 3200, Minimum shutter speed: 1/1000

Custom Setting Menu:

AF-C priority selection: Release + focus
AF-S priority selection: Focus
Dynamic AF area: 9 points
Focus tracking with lock-on: Short
AF activation: Shutter/AF-ON
AF point selection: 9 points
ISO sensitivity step value: 1/3
EV steps for exposure cntrl.: 1/3
Exp comp/fine tune: 1/3
Beep: Off
Viewfinder grid display: On
Multi selector center button: Shooting mode: Reset (Select center focus point), Playback mode: Zoom on/off, 100% magnification
Multi selector: Off
Assign preview button: Preview button press: Spot metering, Preview + command dials: Off
No memory card?: Lock

The items I highlighted in red are the ones that are important for me. I always shoot images in RAW, because it is nearly impossible to recover enough detail and colors from JPEG images. Plus, you do not have to worry about white balance, and many other things if you shoot in RAW. Some people might argue that shooting RAW is a waste of space and is too complicated, but space is not a problem nowadays as you can buy terabytes of hard drive space for cheap. The only issue with shooting RAW is that your camera buffer could quickly fill up, causing your frame rate to drop to only 1–2 frames per second. I recommend shooting with fast memory cards, so that the memory does not become the bottleneck.

Locating Birds

Now that you have your equipment set up, you need to find birds to photograph. I recommend starting with the most common birds such as finches, sparrows and robins that are used to people and do not mind cooperating and posing for photographers. Try to develop some skills and techniques by photographing them sitting on benches, eating and flying. The best time for photography is either early mornings or late afternoons, and the same thing applies for birds. Early mornings are typically the best for bird photography, because birds actively look for food for themselves and their offspring. So try to go out and shoot some local birds and see what you can do. Review your images afterwards and see what you don’t like about your pictures. Whether you have a sharpness problem or focus issues, the best way to improve your bird photography is to practice more!

Once you are done with practicing, go for a real photo shoot. Some of the best opportunities for bird photography might be very close to you. Start off by just Googling for “best birding in (your state)” or “top birding locations in (your state)”. For example, if I Google for “best birding in Colorado”, plenty of different links come up that point to good birding locations, some only several miles away from where I live. Many of the links will also contain detailed information on different bird species, their habitat, migration patterns and a lot more. Another great source of information on birds is to contact your local bird-watching clubs and groups. Some might even have mailing lists for sharing information on rare sightings of birds. Thanks to the big number of bird watchers, there are plenty of other online resources, books, magazines, newspapers and much more, and locating birds is not hard at all. What is hard, is locating rare and exotic birds and photographing them, especially if they are very shy.

If you have a hard time locating birds or want to photograph birds from a close distance, a local zoo or a bird sanctuary might be excellent opportunities for bird close-ups. The National Audubon Society, for example, organizes various bird-watching activities and tours that you can sign up for. There are plenty of other organizations that look for all kinds of volunteers and sometimes even volunteer photographers.

Approaching Birds

What do you do if the bird you are trying to approach gets scared and flies away? There are many different techniques to approach wild birds and I will go through what works for me. Pretty much all birds have superb vision, so it is very likely that the bird will see you first. Also, all birds have their own “comfort zones” and if you try to get any closer, they feel threatened and fly away. Different birds have different tolerance levels for human interaction. Some birds will let people pretty close, especially if they are used to them — those birds are the easiest to photograph. And then there are birds that are extremely shy, that will not let people come anywhere close. Those birds are extremely hard to photograph and you will have to understand the bird behavior to get closer. The key to successful bird photography, is to make the bird feel safe and natural. Some skilled birders can approach birds very closely, sometimes way beyond their comfort zones. How do they do it? Most of them will respond that it is all about patience. Birds feel threatened when you approach them too fast directly. They also feel threatened when you look directly at them, as any other predator would.

So, here is my technique to approach shy birds:

Do NOT wear clothes with bright colors and try to blend in with the environment as much as possible. Although some photographers prefer wearing camouflage, I personally wear gray or light blue shirts with blue jeans, which work great.
If you are hiking and have been walking fast and all of a sudden you spot a bird that you want to photograph, slow down. Don’t change your walking speed right away — slow down marginally, so that the bird does not detect sudden changes in your behavior.
Do NOT make sudden moves. If you need to raise your camera and take a picture, do it very slowly.
Turn off your cell phone or put it on silent mode. It really sucks when you are close to a bird and your phone starts ringing…
Once you see a bird, do NOT walk straight towards the bird, but rather walk slowly in zigzags. Sometimes walking in zig-zags is not very practical, especially if you have already scared the bird by your presence. The key is to walk slowly (sometimes 1–2 feet per minute or slower), no matter how you are approaching the bird. Also, instead of walking from heel to toe, try the other way around, keeping your weight on your back foot as you walk.
Try not to walk if the bird is looking at you. The best time to approach is when the bird is looking away or is busy doing something.
Keep your noise to a minimum. Noise is hard to control if you are walking through bushes or if you have to step on fall leaves that create a cracking sound, so watch what you are stepping on and do it very slowly to diminish the noise.
See if the bird is already scared — if it is staring at you and stopped doing whatever it was doing before, it means that the bird is on alert and might fly away any time. You can also tell if the bird is scared if the bird is raising its tail and releasing fecal matter (especially raptors).
Do NOT stare at the bird while approaching it. Animals in general perceive direct eye contact as a threat and they will flee at their first opportunity.
Your camera shutter will most likely scare the bird you are approaching. Therefore, I recommend shooting the bird as you approach from the distance, so that the bird gets used to the shutter clicking noise. If the bird is perched, you might want to switch to silent camera release mode (electronic shutter), so that your camera does not make loud sounds when taking pictures.
In some cases you might be lucky enough to meet a “YASJ” (young and stupid juvenile). Juvenile birds are typically very curious and will let you approach them very closely. Even if juvenile birds allow you to come very close, still try to keep your distance. If you are able to fill the viewfinder with the bird, you are already too close. Moreover, standing too close to a bird is also problematic, because only a part of the bird will be sharp, due to a shallow depth of field, so you will then have to stop down your aperture, which also translates to slower shutter speed.

Photographing Birds

Photographing birds and making beautiful pictures requires good knowledge of your photography equipment. For birds in flight, high shutter speeds are required or the bird will look blurry. I find that a minimum shutter speed of 1/1000–1/1600 for birds in flight works great for me, but in some cases slightly lower shutter speeds are also OK, depending on the size of the bird and how fast it is flapping its wings. For example, to freeze this hummingbird in flight, I used a shutter speed of 1/1600 and even then, the wings look slightly blurred, just because the bird flaps wings faster than my shutter speed:

Bokeh and clean backgrounds are other key factors to successful bird photography. In most cases, it will be hard to control the background simply because the bird will not let you walk around and plan your shot, but there are a few things you can still do to achieve good subject isolation. First, make sure that there is a good distance between the bird and the objects behind it. The greater the distance, the better the background blur (although the distance between you and the bird is actually more important). Some photographers set up clear benches near bird hot spots or at their houses, which works great because they can set up feeders and take clear pictures of birds with a controllable background. You can find similar opportunities with bird feeders at a nearby park. Also, shooting birds in winter (depending on your climate) generally yields better results simply because tree branches are clear and birds cannot hide behind leaves. For shorebirds and other water birds that do not sit on branches, the best way to achieve good subject isolation is by laying on the ground/sand when the bird is out of the water.

Here is how I recommend to photograph birds:

Shoot at high shutter speeds of 1/1000 and above to freeze the bird. For birds in flight and fast-action scenes, use even faster shutter speeds. For birds that are just sitting on benches and not being active, you can use slower shutter speeds of 1/250–1/800 and lower ISO for better image quality (a tripod or a monopod for slower shutter speeds is highly recommended).
Always focus on the nearest (to the viewer) eye of the bird. It is acceptable to have a blurred tail or other parts of the bird, but at least one eye always needs to be in focus and sharp. For birds in flight, focus on the bird’s head or chest — whichever provides better contrast for the camera autofocus system.
Choose your backgrounds carefully. Pictures with objects behind the bird are not as pleasant as pictures with a smooth background.
Be patient and wait for the bird to act naturally. Images with a bird sitting on a bench are boring, so try to capture interesting action instead.
Use a blind whenever possible. One of the best blinds is your car and you could get pretty close to a bird without scaring it with your vehicle. Birds are generally not scared of cars and you could drive up fairly closely and take some amazing shots. I have taken many beautiful shots of birds directly from my car, without getting out of it. Hunting blinds also work very well if you find the right spot such as a pond or a feeder.
Having a camera flash extender such as the “Better Beamer” is very helpful for fill flash, especially to photograph birds under tree leaves or in darker areas.
Shoot lots of images. I typically shoot a single image first, then take a look and make sure that the images are sharp and in focus. If everything looks good, I will shoot the bird in bursts of 5–10 frames at a time. Having a fast camera that can handle 5–6+ frames per second is very helpful. I then go through hundreds or sometimes even thousands of pictures at home and delete the images that I do not want.
Try to position yourself with your back towards the sun. Sometimes having the sun to the far left or right is OK, but having it behind you will give you the best light.
Shoot either early in the morning or closer to the evening. You will find that early mornings or late afternoons provide the best opportunities, because the birds are active and are typically busy looking for food. I personally prefer to shoot early in the morning — that’s when the birds are most active.
Try not to take pictures of birds in flight during a cloudy day. Photographs of birds with white or gray backgrounds don’t look as good and are hard to deal with during post-processing.

Post-processing and Cropping

I mostly use Adobe Lightroom to process my photographs, but sometimes I also rely on Photoshop for specific tasks. Lightroom is a great and easy tool to organize your images, catalog your bird collection and perform basic editing, while Photoshop is great for fixing images that cannot be fixed within Lightroom. Overall, I probably spend 90–95% of my time in Lightroom and about 5–10% in Photoshop. Since I shoot in RAW, I have more leverage in post-processing, no matter what software I use.

Cropping is a big part of bird photography. Unlike people, birds do not sit and pose in front of the camera, so filling the frame with the bird is not always possible. If you photograph a bird from a distance and try to resize the image to a smaller resolution for the web, the bird will look too tiny. Cropping helps photographers bring birds closer to the viewers and highlight them, rather than distracting the view with unwanted objects. So, how much should you crop? It depends on how much space the bird takes in your photograph. If it is almost filling the frame and you just need to get rid of some unwanted objects, cropping works like a charm; you could also make large prints at that resolution. However, if the bird is only taking up 5–10% of the frame, cropping might work for the web, but not for large prints, so keep that in mind.

Good luck and have a fun time photographing birds!